4.1.10

What We See In The Cutting Room



A bit grisly - but that's life!

Happy 2010 everyone

19.12.09

Crew Christmas Party


In order to record the proceedings we first had to show Fiona how to use a camera, she then told rude jokes to  Nadége, Tom and Steve - the only publishable group shot can be seen on our home page



30.11.09

Sad News

The last week has been pretty frantic, getting all the material ready for the edit (editor starts today) as well as getting ready for a trip to Washington DC to account for our time in the Mara.

We hear that the rain hasn’t stopped there yet, which means we got out in the nick of time. Black cotton soil can swallow cars whole if it’s wet enough.

Sad news about the ‘Lazy Girls’ though. These are the two lioness and three cubs we filmed at crucial times for our film. We called them the Lazy Girls not because they seemed in any way lazy, but because of their presumed association with the Lazy Boys (who truly are lazy). The first night we met the Lazy Girls, they were trapped in a lugga with their cubs surrounded by hyenas. They roared repeatedly for support, and the Lazy Boys roared back – but didn’t come and help.

Last week we heard that that the smallest of the three Lazy Girl cubs has been killed, and her mother is pretty beaten up – either by the Motorogi females who are not happy with the Lazy Girls trying to raise cubs in such close proximity to their own families – or by hyenas. Either way, the Lazy Boys failed to be there to prevent this loss. Let’s hope the last two cubs make it through. The Mara needs them.

19.11.09

Mara Plains staff

Roughing It!

Filming wildlife often involves long haul flights on uninsurable airlines to far flung unheard of destinations at least 50km from the nearest Golden Arches fast food restaurant. Obviously that’s not all bad but in Africa you often have to put up with bugs, bats, malaria and waterborne diseases in your coffee. I say ‘often’, as on this occasion our accommodation could not have been further removed from the traditional natural history filming experience. Mara Plains is one of the best camps in the Mara. But honestly we stayed there because of the location and 24 hour electricity, not because of the amazing food, good company or stunning tents.

We would like to thank Richard, Juma, Moses, Dominic, Adam, Kelvin, Tyler, Susan, Ella, Ping, Philip and everyone else at Mara Plains Camp (http://www.maraplains.com) who helped to make our trip so memorable (in a successful sort of way). We were extremely lucky to find such a fantastic location to use as a base camp and even more fortunate to have been looked after so well. A special thank you to Sean ‘Boy Scout’ Hartley for all of his help in accommodating us, spotting the lions and keeping the generators running despite the sleep deprivation this must have caused.

And special thanks too to:
Richard ‘Marmalade’ Jones for learning to love the Starlight camera
Tom ‘Cakeboy’ Stephens for getting to grips with the thermal camera alongside general creative input AND dealing with much of the digital file management
Stanley ‘Houdini’ Kinyolo, for some expert car magic in the Mara mud
Jean Hartley of Viewfinders http://www.viewfindersltd.com/ for getting us in and out of the country with no problems whatsoever, and supplying Snickers bars at a time of need.

We have now returned to the office in the UK with all of our kit intact (if a few kilos heavier from the sand (read blood sweat and tears) it has collected to start the preparation for the edit at the end of the month. Thank you to everyone back in Kenya who helped us with this trip and made it such a success.


The Ammonite Team

16.11.09

Friday the 13th - Unlucky for some

Friday, the last filming day of the trip, started badly. The brand new generator broke down. It had been bought hurriedly to stand in for the main generatator which broke down a few days earlier. We just had to hope that we had enough battery power left for filming that night.

Later in the day, storm clouds started to gather on the horizon. The ground was already getting slushy from rain on the previous few days, and damp black cotton soil can become like ice if it gets another wetting. We were dreading having to follow the lions through thorn scrub and flooded luggas in the pitch dark, so we added Sean ‘Boy Scout’ Hartley to the team for his intricate knowledge of the area.

After setting off, we soon found the two Lazy Girls, with their three cubs larking about in puddles. At that point bit of a roar-off ensued when some of the Motorogi females turned up with the Lazy Boys - who are probably the fathers of the cubs of both prides. The Lazy Boys got a slapping from the Motorogi girls while the Lazy Girls ran back south with their cubs to their favourite lugga. Pretty lucky for us as it happens, but not so good for the Lazy Boys who seem to have been found out for two timing.

And then our worst weather fears were realised. The heavens truly opened, dumping 50 (much needed) mm in just an hour. The usual drizzle that follows made filming and following the Lazy Girls even more of an ordeal than it might have been.

With no moon, and a thick layer of cloud, this was about as dark as it ever gets on the plains. The Lazy Girls walked confidently forward despite the fact that we knew they couldn’t see anything that wasn’t silhouetted against the sky. Tommies ran from the unmistakable sound of approaching lion footfalls with their heads held low to see where they were going. The lioness with a missing tail tuft suddenly strode off on her own, leaving the other lioness and the cubs alone in the middle of the plain. The tuftless lioness immediately headed off towards the flooding lugga as we struggled to reposition the car in the rain and pitch dark to see what she might be heading for. The thermal camera quickly revealed she was looking towards a grazing herd of zebras.

Stalking silently through the bushes the lioness crept ever closer to the unsuspecting zebras. Inching forward she stalked to within 10m of the herd.As always seems to happen with lion hunts, we had to make a quick descision to reposition the car in preperation for where we hoped the chase would take place. Filming between dense thorn bushes, flooded luggas and manouvering over rocks, we decided to reposition the car for a better shot before she made her run.

No sooner had we repositioned than the tuftless lioness ran to a zebra and a mad chase began - away from us. The move was starting to look like a catastrophic error when the zebra turned back on itself and Tuftless Lazy Girl didn’t give up. Just as they were coming out from behind a bush, Tuftless leapt at the Zebra. Somehow she missjudged, or the zebra made an evasive move - and Tuftless shot straight over the zebra, landed on her head and cartwheeled a few times before bouncing back onto her four feet. This was obviously very lucky for us and the zebra. At that moment, we saw a bright shape on the thermal camera shooting past the front of the car. It was the other lioness, previously unseen to us and our ever vigilant ‘Boy Scout’ spotter, darting from the darkness and intercepting the zebra. (A bit unlucky for us). By the time we got the car turned around, Tufty Lazy Girl had the zebra standing, but still needed help from slightly limping Tuftless to bring it down. It was a strong and healthy stallion.

The question is, whether or not this apparently fine stallion was selected by the lions for being somehow unfit ( as suggested by ‘survival of the fittest’ evolutionary theory). Or whether this zebra was just plain unlucky (as suggested by some more recent evolutionary ideas). In this case, it appeared that the lions simply took the closest zebra, and were lucky enough to have the strength to bring down all 400 kilos of him. And we were very lucky to be there and pointing in the right direction on the darkest, wettest night of the trip.

12.11.09

Mara Storm

101 reasons why timelapses fail

(Well there are at least 101 reasons but there isn't space to list them all.)

Timelapse photography has become much more common recently, owing mainly to the arrival of digital still cameras which offer a relatively cheap and simple way of recording events and processes invisible to the naked eye. But it’s one of those ‘minute to learn, lifetime to master’ things. Here’s a small selection of what has gone wrong in the past and what will definitely happen again to those unable to connect with their inner Zen.

1, What looked to be interesting sped up is in fact really boring - a very common fault - hopefully you’ll learn from that experience

2, A shot which started off in a really interesting way soon fizzled out and became very dull - you should have been there earlier

3, Lens cap - it has happened

4, Forgetting to turn the camera on - yep that’s happened too.

5, Rain on the lens - at least it shows you’re taking it to the limit.

6, Not winding up the (clockwork) camera before starting - up til very recently, clockwork Bolex cameras were used for timelapse photography.

7, Forgetting to format the CF card - a modern affliction that plagues users of digital still cameras for timelapse

8, Too few frames - always think of a number and double it

9, Impossibly variable exposure - you can be lucky with auto exposure - but usually not.

10, Leaving the camera on autofocus - another modern curse - it creates an interesting but more or less useless wobble board effect.

11, Using auto exposure - arthouse maybe, but often pretty hard to watch.

12, Running out of battery - either the timer, the camera, or any motion conrol devices could stop at any time.

13, Passers by stopping in front of the camera and having a good old look down the lens -

14, Sombody setting up a tripod in front of your timelapse to take photos of whatever you are taking photos of.

15, Monkeys pulling wires out.

16, Plants which should be blossoming, wilting in shot.

17, Plants which should be growing through the middle of the frame managing to grow neatly around the border.

18, Turning the camera off too soon - be patient - make sure it’s over.

19, Drooping camera - this has created some potentially interesting but mostly quite dull movies of the ground

20, Focus - almost all lenses have a depth of field scale on the top - try it.

21, Camera falling off front of car - what can I say?

22, Condensation - clear starry nights usually mist up the lens just as it’s getting good - a difficult problem to solve.

23, Missed frames - very hard to cure- make sure the camera is actually doing what you think it is.

24, Food, insects and other objects on the lens - always worth a check before you press go.

25, Hot air balloon rotating - don’t bother trying timelapse from a hot air balloon.

26, Camera shadow - the sun moves, so does the camera shadow - more than likely into your shot.

etc etc

OK I’ll admit to at least a few of these errors over the last few days while trying to capture the incredible storms that have been marching over the Mara from the East. The drought is over, the black cotton soil is eyeing up its first unwary car victims of the season - and we have just a couple of days left before returning home.

9.11.09

Brian's Hooligans


Brian (the lion)* is the coolest cat on the plains. He’s one of the mature males of the Bilashaka pride and under the thumb/paws of his cubs. His laid back 'love and peace' attitude seems a bit out of place for a large male but perhaps due to his two most ferocious adult females, the mothers to his offspring, the youngsters love having him around.

Following Brian and his large group of boisterous over-grown cubs have given us the most exciting and entertaining nights of our trip so far. Brian’s cubs are around 18 months to two years old and have the stature of nearly full-grown lions but none of the prowess! Their mothers seem to despair and abandon them at dark, opting to catch their own food and leave their kids to their own devices.

For the last few days the moon has risen an hour or two after sunset, which in combination with cloudy skies creates a period of total darkness, the perfect conditions for our lions to head out and terrify the neighbourhood.

The gang consists of five young males and four girls, the smaller of which we call Kit Kat. She is an amazing lioness and the driving force behind the groups hunting efforts. Most lions may hunt once or twice a night before crashing out to sleep but Kit Kat just keeps on chasing and chasing anything that moves. We're exhausted. Her hunting 'technique’ is not so much to stalk an animal but to simply run it down! This method can work on dark nights, but not in daylight. We’ve repeatedly filmed her both day and night run over 100m flat out just to reach where her prey was standing before giving chase. Most adult lions employ some sort of stealth and patience but Kit Kat just relies on endless enthusiasm.

Kit Kat's insatiable appetite for hunting has led her to chase topi, zebra, Impala, and she even gets the odd fawn which her brothers promptly steal. But she and the rest of the gang seem to enjoy 'hippo surfing’ the most. On three separate occasions we have seen this pride of hooligans cling with their front paws onto the bottoms of the terrified running hippos, the lion's back legs bouncing like Pogo sticks behind them. The poor hippos run into a lugga and the lions give up. What has become clear is that these youngsters have yet to learn how to hunt for themselves. Perhaps chasing hippos is a good if rather dangerous way of learning their limitations.

This post written by Tom 'Cakeboy’ Stephens

*Brian is our name for him - he may also have another name

5.11.09

Cattle crisis

Being new to the Mara has been an interesting experience for me in observing the high levels of cattle grazing the plains. Having previously worked in more central Kenya I’m used to seeing livestock and wildlife mixed together but the levels here are quite concerning. Not just because cattle compete with wildlife for grazing but because of the many factors that accompany high levels of livestock. Whether this grazing is the result of the recent drought or whether it is more entrenched is hard to say.

Stray dogs have come past our camp, presumably distantly accompanying a herdsman and his livestock. The dogs may be harmless enough but they can carry diseases such as canine distemper and rabies, which in the past have already wiped out the Mara’s wild hunting dog population and caused a crash in the lion numbers. Diseases carried by domestic animals are a direct threat to all wildlife in the Mara, and threaten the entire ecosystem (and therefore income from tourism).
We’ve seen large herds of cattle inside the reserve both day and night but what we saw last night was most depressing. On our way out filming for the evening we noticed 3 starving and emaciated young cows that clearly abandoned near our camp. When we returned 12 hours later, we made a grisly discovery of around 20 hyenas feeding on all 3 of them. One calf was still alive for a few minutes so there could be no doubt that hyenas had made the kills. But what were the cows doing there? This is not the role hyenas are meant to play in the ecosystem; they should be maintaining the plains game population levels, keeping the fit animals fit with their chasing, as well as taking out sick and diseased animals. There aren’t enough hyenas to do that as well as deal with the inevitable fallout of drought combined with massive overstocking of cattle, sheep and goats.
We’ve come to the Mara to film romping lions and hyenas in their natural environment, let us just hope that this behaviour doesn’t become a common occurrence.

post written by Tom ‘Cakeboy’ Stephens

2.11.09

Days off Nights

Cameraman Richard ‘Marmalade’ Jones arrived a couple of days ago, so it seemed a good time to take a break from nights and try and get some daytime hunting behaviour. Richard’s first assignment was to sit with the two ‘Lazy Girls’ and their three cubs, as they had been living in the same lugga for weeks now and killing only in the heat of the day when animals came to drink.

Then it rained, the Lazy Girls caught a wildebeest at night and it seemed the only thing to do was to go back to nights (3pm to 3am).

Richard’s 1st night was a disappointment. We went to look for the Motorogi group who had been spotted nearby - but they had moved - and we found the Monico* pride youth group who were so fat they couldn’t move. At least this was a good time for Richard to get the hang of working the Starlight camera

Last night we were a bit more adventurous, going to the recently rained on slopes of Rhino Ridge where we found the Western arm of the sprawling Bila Shaka pride (sometimes called the Marsh Pride). It was the usual youth group arrangement, a couple of mums and in this case 6 almost full grown but otherwise useless offspring. They didn’t disappoint. The two mums were setting up a good zebra ambush joined by possibly the stupider of their two daughters - who started a run way too soon. She ran and ran and ran after the only zebra foal in the group. Every zebra within a mile saw this and they all too ran after the escapees. Mum lion was not impressed and seemed in a particularly bad mood.

After dark, they managed to lose us a couple of times, but we found them again just as they had surrounded a hippo.

This was a spectacular battle with the four young males vying to be the bravest (for brave read stupid) by trying to climb on the hippo’s back. After much spinning, running and charging, the hippo ran into a lugga and the lions eventually lost interest.

Well done Richard Jones for getting some unforgettable starlight images, Tom Stephens for finding the lions again and filming some incredible thermal action, and, at the wheel, Stanley ‘Houdini’ Kinyolo for conjuring some very narrow escapes with deep black cotton soil mud.


* Monico pride named after Monico hill where they live, named after a Maasai warrior who went there to kill a lion - but it killed him.

Working By Starlight


Tom Stephens at work

1.11.09

Life In The Car


Every night we pack our night filming car to the gunnels with 6 cases, 4 car batteries, 2 inverters, 2 desktop computers, 2 custom-built cameras, gallons of tea and a packed dinner that we just about squeeze 3 or 4 people around. Not so much a filming car but a mobile filming office. As you can imagine, now the rains have started, that we’re increasingly anxious about the water-tightness of the car. So far so good however with just one exploded inverter. The rain has become a welcome relief from the dust bath we are used to driving in.

The main challenge of filming at night is navigating around the Mara in total darkness whilst following lions in and out of thick thorn bushes. We don’t use any visible light so our driver Stanley wears night vision goggles and illuminates the road ahead of the car with infra red light. This relaxes the wildlife and prevents creating an unfair advantage for the lions by spotlighting a potential meal.

If we don’t accidentally bump into them, we locate the lions using our thermal camera which can pick out a heat signature from several kilometres away. As we mentioned before in our blog about mistaken identity, this can lead us towards hot rocks and glowing termite mounds but most of the time we find the lions we are looking for. The starlight and thermal cameras are providing us with incredible insight and images of life on the plains at night. I can only compare the experience to SCUBA diving, when you first plunge into the sea and discover it is not full of the sharks that your imagination convinced you were there waiting for you. We have a unique and new view of what is really going on and it is endlessly fascinating to see the plains covered with grazing hippos and romping hyenas once the sun sets.

We have two weeks of filming left to go, who knows what we will find in the dark over these final weeks!


This post written by
Tom ‘Cakeboy’ Stephens

28.10.09

Mistaken identity

One of the prerequisites for working with wildlife is that you can tell different creatures apart, and that you can recognise different species from different angles in different light.

Every day, we go out to find lions, perhaps with a tip off, perhaps with just a hunch, and we look very hard at shadows under bushes for a flick of a tail, or a single paw in the air. Sometimes we are guided by the gaze of giraffes, topi or zebras, but these creatures are also quite happy to stare at nothing in the heat of the day.

Soon, our desire to find something, anything interesting leads our brains to imagine shapes in rocks, fallen trees, grass waving in the wind. There are hundreds of rocks in the Mara shaped exactly like the head of a lion, and no doubt these same rocks get misidentified over and over again by new visitors to the area.

Animals can play tricks too. Warthogs are such weird looking animals that they take on all sorts of characteristics far away in shimmering heat. A warhog grazing can for a moment appear just like a baboon the other way round, or end on from a distance like a male lion looking down his nose. Hartebeest are exactly the same colour as lions, and their white rump and pale brown fur from far away can lead the less experienced to claim ‘there’s a lion!’

Recently, things have been getting out of hand. A flock of sheep was identifdied as a large group of hyenas, while some elephants behind a termite mound were pronounced to be lions. A warthog even took on the persona of a buffalo for a few short seconds. And that’s in daylight. At night with the thermal and starlight cameras we have to develop a whole new range of ID skills as completely nocturnal animals show their faces. Aardvarks walk a bit like hyenas, so at first caused confusion then amazement when we realised that we had at least four of these extremely secretive animals bumbling around the car digging sniffing and chasing each other.

25.10.09

Cubs

The last few nights have delivered varying degrees of success with various groups of lions, mostly mothers helping their sub-adult offspring to hunt. We have tried to follow them through luggas, swamps and thick scrub, but still achieved lots of lovely hunting moments (all of which failed). The kids are full of confidence and excitement, running this way and that, while mum tries various tactics to get one of her cubs to actually make contact with an animal. In these dark conditions, the lions can’t see the prey but have to locate them by scent or sound. And the prey can clearly hear heavy lion footfalls in the grass unless the lion is very careful. This is where mum’s patience and experience count.

Now the moon is waxing, the dynamics change completely. With even a quarter moon, the wildlife can see each other pretty well, and the lion response to this is either to sleep until the moon sets or revert to more daytime like hunting methods - hiding in long grass - if there is any.

Last night we met up with two lovely experienced females and their 6 tomcat sized cubs. When mum told the cubs to stay put they did, and the two mothers set about stalking a mixed herd of topi, gazelles and wildebeest. Or so it seemed. After some protracted stalking and waiting about, one of the girls charged at the herd, who in the light of a quarter moon saw her coming in plenty of time to make an easy escape. It seemed a pointless effort. She really didn't try very hard. Or was she hoping to drive the prey towards her waiting sister?

The other female mysteriously didn’t seem at all interested - because as we found out, she was already with a dead topi, completely untouched, which they must have killed earlier in the day. Both mothers and all the cubs moved in for a quiet dinner under the moon and stars. And the cubs got their bed time milk before all dropping into deep sleep.

19.10.09

The Sky At Night


Here's a single frame from the starlight camera last night - a dark starry night ie most of the stars obscured by clouds and thin haze over the others reducing their brightness

Most days we set off about 4pm, to find our lions and film whatever we can of their daytime behaviour (you guessed it - mostly sleeping).

Just around sunset, hungry lions will usually move a little to get a better view of the surrounding plains. If they have cubs like the two mothers we followed last night, this is when the youngsters run about chasing, watching anything that moves, playing with stuff they find. Sadly, last night these items consisted of a black plastic bag and a small item of clothing. I’m sure nobody was eaten, but clearly the world has changed for us as well as lions.

Not until darkness closes in do the lions make their move. By this time, we’ve changed from daytime camera to night time cameras. Daytime camera: HD video camcorder - ie one that you put on the tripod, look through the viewfinder and press the button if you like the picture. Night time cameras: a whole other story. For various reasons the cameras we have to use will only record to computers. And laptops aren’t fast enough, so we have two desktop computers in the car running off inverters and car batteries. To see the images, we have a variety small computer monitors placed in strategic positions. The cabling of all this electronic hardware always starts off with the best of intentions but by the end of the night it usually resembles a Gordian knot. We’re working on the cable discipline.

Before we can follow the lions Stanley needs to get his night goggles correctly adjusted, and we have to mark our position on the GPS so at the worst we can back track. Once landmarks disappear into the gloom, it is very easy to become disoriented, especially if a layer of clouds covers the stars.

In this kind of darkness, the Starlight camera can’t see very far without infra red light. Even then, its amazing ability to see animals is completely overshadowed by the thermal camera which allows us to identify lions or hyenas up to three kilometres away. It should therefore be easy keeping up with the lions.

A typical dark night lion hunt will start with a bit of a move, then a bit of a rest, wait and listen, followed by another bit of a move. This night after a couple of starts the two mothers heard something in the bushes and moved quickly towards it. We were in a bad position, and had to go out up onto the hill to see what was going on. A herd of buffalo were coming down to drink, and there in front of them were our two lionesses. One of the buffalo smelt a cat and gave an alarm at which point the entire herd came charging out of the lugga.

Buffalo routinely chase lions in daylight, and present a real danger to the cubs. These two mothers were not starving and so would never attack a healthy buffalo in a herd returning instead to the waiting cubs. This place, with its multitude of dry river beds, luggas and bushes is hard enough to navigate in daylight. Even with the thermal camera we soon lost the lions and the buffalo. So we moved up to the place we now call Lazy Boy Hill (after two lazy male lions) to see if we could find the Monico bunch - or at the least film a bit of starry scenery.

Once I give my eyes time to adjust to the gloom, the beauty of the milky way over the plains never ceases to astound me and is always a small compensation for having lost the lions - again.

18.10.09

The Mara Seven


Suppertime in the Mara

16.10.09

Lion Pride

A month ago when we left there were encouraging signs that the drought was over. Rain had greened-up lots of plains in the Mara, especially the North West. Hardly a drop fell since we left, and the Olare Orok Conservacy is very dry - but there is still good drinking water, so plenty of healthy looking zebras, wildedbeeste, topi and gazelles are hanging around. And there are also plenty of dead cows in various states of decomposition. Many of cattle herds here have been weakened by long treks from other areas in Kenya, where the drought was still having a huge effect. Yesterday, heavy rain hit Nairobi and surrounds, while rain was visible to us over the Northern Serengeti. Hopefully the drought is finally over.

What effect the dryness, all these cattle and accompanying people are having on the lions is hard to say. There have been spearings as well as poisonings, and everyone reports fewer lions in areas where they were common.

The day before yesterday we set off north to Maternity Plain with the help of Sara and Emma Blackburn of the Mara Predator Project to find The Group of Seven; one 3 year old male born in that area, one adult female of unknown provenance, her four 18 month old cubs, 2 boys 2 girls, as well as a smaller adopted cub. This kind of pride doesn’t fit the normal stable lion pride stereotype, but seems to be more common here at the moment, and mature males are thin on the ground.

The Group of Seven set off to towards wildebeeste herds at dusk, and the daughters didn’t disappoint, randomly chasing anything that moved, while mum held back as if to teach them the lesson of patience. The group spread out, chased all the animals away, then reformed for another go. Second time round, the 2 girls produced the same result and all the wildlife legged it.

The night was moonless and partly cloudy, conditions in which neither prey nor lions can see very far, and sound and scent become more important. The lions roughly locate some prey by sound and spread out in that direction. This time, mum decided that playtime was over and had to show the cubs how it was actually done. She knew more or less where the cubs were, and where a sitting herd of wildebeest was quitely chewing its collective cud. Mum made a huge loop around to the other side, careful to keep her footfalls silent, still not sure exactly where the wildebeeste were.

Now the wildebeeste were between her and the cubs who appeared to be waiting for something to happen. Mum charged straight into the middle of the panicking herd, and downed an adult, cheetah-style with a flick to the back legs. It was practically dead by the time the first cub arrived. An hour later, the Group of Seven had devoured the lot, with surprisingly little fighting.

Let’s hope that in time, despite living in a heavily grazed and human inhabited area, the Group of Seven can become a stable and successful pride.

11.10.09

Touching the Trophy


The memory of sitting in a hot spring surrounded by Autumn forest and mountains in the Grand Tetons National Park is rapidly losing ground to the maelstrom that usually precedes a big filming trip. Engineering always progresses at exactly the right speed to be ready about 10 minutes before the last case needs to be closed. Strange bits of metal are concocted to solve new problems, make new cameras easier to use or allow the operator to actually focus this time. Things that failed on the previous trip and should have been fixed weeks ago are found still in their cases - exactly as they were packed for the journey home. We have to plead with busy engineers to help us. Couriers are constantly coming to the door with new cables, or special electronic boxes, torches, special batteries etc etc. This is the reality of modern wildlife photography. Budgets, schedules, new projects demand immediate attention while automated sales calls dumbfound us with their complete irrelevance.

During all of this it was necessary to gather the Smalltalk Diaries team to come and touch the Jackson hole trophy themselves - and drink some champagne. James Taggart, Claire Berry, Charlotte Jones, Simon Sleath and Will Dohrn all managed to come at short notice, while Hilary Prosser, Charlotte Crosse, Richard Higgs, Ben Ward, Caroline Norris, Richard Webb, Fiona Mackenzie and Jonathan Jones will all have to come and touch it another day - which means we can have another little party later.

The last case was closed yesterday at midnight ready for the 5am drive to Heathrow.
Cases checked in - ahhhh - 1 hour of peace with nothing to do but read the paper - where I discover that Gordon Brown and Barack Obama aren’t very popular, but Barack Obama won the Nobel Peace Prize.

Tomorrow the Masai Mara, where the problems of rich economies in the North and West may seem very far away - but sadly for the wildlife are very relevant.

3.10.09

Crossing Fingers Works

It must do because Smalltalk Diaries Changelings won the prize for Best Short Film, a fantastic result for a small company like Ammonite (see winners). This year, Jackson Hole Film Festival had a record number of entries, over 400, representing the best wildlife and environmental films of the last 2 years from all over the world. The surprise ‘best of festival’ was an incredible and moving film by Patrick Rouxel called 'Green', made entirely without broadcaster support, and lacking any narration. The film is free to view at http://greenfilm.free.fr/

After endless (mostly very productive) meetings, long chats about the state of broadcasting, the state of the planet, fascinating seminars and talks, it’s already time to pack up and head home for a few frantic days of prepping for the 5 week Masai Mara shoot that is almost upon us.

30.9.09

It’s Tuesday, must be Jackson

After a few days travelling I can now tell you for sure that Turkey is a wonderful country but that Dalaman airport is an appalling money grubbing hole of an airport (nescafe about £3.50, disgusting stale bread sandwich about £6) which makes Heathrow’s terminal 1 (Cafe Nero double esspresso £1.70 and toasted mozzarella, tomato and fresh basil panini £3.40) look like a very nice place to relax and wait for your flight. I can also tell you that Chicago O Hare airport is still a confused mess of over zealous security and passport control that somehow lacks the management ability to staff the numerous unused xray machines and border control desks to avoid the whole place being constantly crammed with people standing around in lines trying to go somewhere.

The Masai Mara already seems like ages ago, but finally we’ve had time to asses the results. Amazing. The new starlight camera IS the sharpest, most sensitive image intensified camera ever built. Some movie clips in due course.

Before our departure for the main lion shoot later in October, the biennial Jackson Hole Wildlife Film Festival is upon us once more, and here I am to meet up with old friends, get some new projects funded as well as cheer on ‘Smalltalk Diaries Changelings’ which is up for ‘best short film’ award tomorrow night - against some stiff competition.

20.9.09

Return to Blighty

After three weeks we headed home, having finally filmed some stunning baboon material for BBC's forthcoming 'Rift Valley' series, identified some serious technical and ergonomic problems in our new Starlight and thermal cameras, and saw more clearly than ever the true nature of lion nocturnal hunting behaviour.

We now have just 3 weeks to get engineering underway, go on holiday, as well as go to Jackson Hole Wildlife Film Festival before heading back to the plains for what is predicted to be an extremely wet October. I hope not.

Rain on the Plain

Rain in the Mara usually comes in the form of localised storms that build up in the afternoon and evening. Look around the hilltops just befire sunset and you’ll see small columns of rain over several of them, or huge grey curtains covering portions of the sky, with the setting sun peeking between them. The Mara’s numerous lone, gnarled trees offer a fantastic point of focus in this massive landscape.

As the torrential rain arrives, all the grazing animals stop moving and turn with their backs to the wind, zebras, gazelles and wildebeeste all aligned in the same direction. Is it because they don’t like driving rain in their faces or because they want water to penetrate their backward facing fur and clean it? I’ve yet to hear a convincing explanation of this universal behaviour. Twenty minutes later, it’s over, and twenty mm of refreshment has covered an area of only fifty square kilometres. In three days time, the wildebeeste will come from far and wide reap the benefits.

Lions love this kind of weather. It always makes them active, and full or not, ready for a hunt. This was one of the main reasons for our trip, to see what lions actually do at night, and we weren’t disappointed.

We had three more fantastic evenings with the lions, doing what they seem to normally do on dark moonless nights - bumbling around chasing stuff and every now and again actually bumping into animals and killing them.

It’ is now, finally clear, that without moonlight, lions can’t see their prey at any distance any more than the grazing animals can see the lions. Detection of each other now depends almost entirely on smell and hearing. All the lions have to do is be very quiet - but then, most of the prey animals do the same. They stop moving and sit down to chew their cuds. Which has given us incredible images of lions stalking right past their victims - all of them unaware of each other.

For more information on Mara lions check out the Mara Predator Project website

5.9.09

Lions and Cows

We have begun to learn the truth about rampant cattle grazing in the Mara.

The day before yesterday we (me on camera, Stanley on driving) watched some female lions sleeping peacefully as Masai cow bells and voices approached. The cows passed on the other side of the lugga* - and the lions paid no attention at all – then we heard the bell of a single cow trotting after the main herd. The lions leapt into action and hurried after it, behind the bushes. An outsider lioness also arrived, the lionesses had a bit of a spat and the cow escaped.

Later on, we saw some hyenas attacking a wildebeest, oblivious to the nearby Masai and cattle, some lions arrived on the scene commandeering the wildebeest that the hyenas had yet to bring down.

Last night we watched through our thermal camera as The Masai brought their herds closer and closer to where some lions were lounging around in the grass, the lions simply ignored them. We showed the footage to the Masai later, who had been completely unaware of the presence of 5 lions. Between looking at the cattle and sleeping, the lions chased a few hyenas and generally gave the impression that it was business as usual on Paradise plain.

The biggest question that remains is to what extent the cattle grazing damages or enhances the environment. And when the rain will relieve the pressure, and allow these
huge herds to go home.


*Mara term for ditch

4.9.09

Night Rights

Finally we get the news we have been waiting for - that we can film off-road at night in the main Mara reserve - having paid quite a lot of money for the privilege (which it truly is).

Twelve years ago when we made Mara Nights here, we went all over, into what is now the Olare Orok Conservancy, the Aitong conservancy, the Mara North Conservancy as well as the Mara itself. Today, each area requires different permissions, different fees, and has different levels of 'allowed’ land usage, from light grazing to the building of permanent settlements. Further to the North, this also means ploughing the land and planting wheat.

Most National Parks exist simply because nobody could find another use for the land. The Mara is exceptional as it occupies prime agricultural land, and as such is really only secure as long as it earns more money through tourism than if it was converted to wheat. The areas surrounding the Mara are under imminent threat, and this has galvanised various organisations and alliances of tourist operators and land owners to create what is in effect a series of secure buffer zones and extensions of the bigger reserve.

There is however a problem. Cattle. This year has seen the driest drought in Kenya for 70 years. The Mara has the only remaining grass in Kenya (much of the best of the rest having been ploughed and planted). Estimates vary in the total number of cows that have been brought here from elsewhere, anything from 40,000 to 100,000, all grazing wherever they can – dodging wardens by going at night. Whether or not this grazing is bad for the plains and wildlife is hard to say. Generally, areas which cattle have grazed have shorter grass, which is what the wildebeest, gazelles and zebras like anyway, so these animals are often to be found among the cattle. But on the other hand, the number of people wandering around the reserve and surrounds has now got to the point that many of the predators have changed their behaviour and become more nocturnal or moved on altogether. And some areas have now been overgrazed to the point that they are just bare dirt waiting for rain.

Last night we watched as hyenas watched an advancing wall of cattle hundreds of bells ringing, Masai whistling commands, torches flashing. The hyenas took it in their stride and melted away when people came near. It’s a very complicated situation, but the will seems to be there on all sides to solve it, and keep that Mara largely as it is - the most incredible and beautiful place for wildlife I know of.

1.9.09

Beautiful Baboons


This is a multi purpose trip to the Mara. We need to test the latest starlight camera, find the best areas for our next lion film trip, try and understand the new boundary, political and rule changes around the Mara – and film some baboons.

Not the world’s most popular monkey, despised by many and unappreciated by most, the baboons here have been a revelation. Unable to film our first choice group until next week (because of politics), we have gone into the Olare Orok Conservancy on the Northern edge of the Mara reserve. The best group we could find has been grudgingly trusting – as long as we stay more than 50 metres away – and has routinely dragged us into rock fields or made us cross the same dry river 5 times in an hour.

But these baboons are true savannah monkeys. They don’t visit any lodge rubbish tips or Maasai settlements. They live entirely on the plains by their wits. And they seem to be very happy despite the dryness. Bickering and fighting are rare, while grooming and general niceness to other members of the group seems to be the norm. Loads of babies are always running about jumping on each other, while the big males perform sentinel duty at the edge of the group. Two nights running, they’ve chosen a beautiful open branched fever tree for roosting after prolonged social mucking about in the nearby river channel. I had no idea baboons were such nice and interesting monkeys

30.8.09

Cramped Conditions


I wasn’t prepared for the drive to the Mara. The last time I drove was in 1984 – ever since then, I’ve flown. The air route goes over some dramatic rift valley scenery, then a bit of semi desert before arriving at the relatively green oasis of the Western Mara.

The land route is completely different, and has to take a Northward direction before heading south to the plains. In 1984, I remember seeing giraffes and gazelles less than an hour out of Nairobi. This time, at the same place all we found was one roadkill zebra being eaten by dogs. Another hour down the way, the transformation was even more complete. What was scrub and dry empty plains 25 years ago is now endless fields of wheat. What was a significant wildebeest and zebra migration route is now the breadbasket of Kenya – if not much of East Africa.

As we drove South to Aitong, it was clear that the number of people and cattle living here had increased enormously. As we got close to the Mara reserve, we could see that a huge number of cows, sheep and goats had cropped the grass to the limit. But as is often the case here, we could also see huge numbers of wildebeest surrounding the cattle, drawn to the fresh green growth – which is in part due to the intensive domestic stock grazing (much of which has been brought here from other areas – because of drought, this is the only grass in Kenya). Whether or not we find more predators in the areas where there are most wild animals (often where there are cows and Masai) or where there is less disturbance from people remains to be seen. Watch this space.

26.8.09

Snake Encounter



While the crew are getting to the filming location I thought I'd put up the video made earlier this year in Botswana when a puff adder was discovered in the kit tent (really poisonous and BAD NEWS to get bitten by this chap)

24.8.09

Return to the Mara



Wildlife film making doesn’t need to be about travel to foreign parts. But it usually is.

We could happily film subjects close to home, reveal extraordinary new behaviour of the strange creatures in our back gardens. But we rarely get the opportunity to do that. Broadcasters and funders tell us that 'the viewers’ are more interested in lions and whales and polar bears and don’t really give a stuff about the 'mundane’ life forms closer to home. Bugs, the broadcasters say, are 'a hard sell’.

Which is why wildlife film making is almost by definition about travelling to far off remote places. And spending quality time there. The more remote and exotic the better, for stints of 3 weeks, 3 months or more. Wherever we go, we almost always meet and work with scientists and local people, usually accept their hospitality, sometimes live in their houses, always make new friends.

For me, many of the details of the past locations hard to retrieve easily. But a few places stand out. Kenya’s Masai Mara being one, where I can recall some spectacular high and low images; two bouts of malaria and one of amoebic dysentery, various random food poisoning events and frantically digging trenches in torrential rain to stop the equipment tent being washed away remind me to respect the Mara, but don’t in any way inhibit me from wanting to return.

And we're on our way back there now...

18.8.09

There’s Never Enough Time.

After just 7 days in Portal our trip was over. We did pretty well, with a variety of amazing behaviours of ants in spectacular surroundings.

Frank behaved itself pretty well on location - delivering fantastic smooth moves at ant-eye level with only a few minor hiccups. New cameras using the Panasonic AVC Intra system gave us unprecedented picture quality and ease of recording in the field. With the help of Howard Bourne looking after equipment, Gavin Thurston was able to apply his 25 years experience in close-up filming to produce some incredible images. As ever in Wildlife film making, we had to curtail our ambition and make it fit the small time slot the budget allowed us. We were just getting going when our slot on the calender expired.

As we drove around the Chiricahuas on our way to interstate 10, the sun lit up the clouds in a range of pinks and oranges, silhouetting the nearby peaks in a way that could not have changed much for a million years or so. As the sun rose, very recent changes to the landscape became very visible, roads, a house here, a house there, the odd barn, and of course the interstate at San Simon. On the horizon other mountains rose out of the plains (mostly included in the Coronado National Forest, along with the Chiricahuas), and between them vast dry flat lands with ranches, mines and factories - all full of ants - passed by as we made our way to the airport.

20 cases on the conveyor belt at Tucson and home.